This autumn a rich and scenic treasure hunt of art has been unfolding in and around Romney Marsh. It’s exciting to see contemporary artists animating the evocative, historic sites of the medieval churches of Romney Marsh, originally built for the isolated shepherd communities living out on the marsh.Continue reading “A Sea Change – Art in Romney Marsh”
Folkestone Triennial is the largest open-air display of public art in the UK. Every three years it brings together a diverse mix of international and local artists to make new site specific works. This year I went on a walking tour guided by Naomi Eaton-Baudains a producer working behind the scenes at the Triennial and also an artist in her own right.
Her tour was fascinating giving an insight into how Lewis Biggs, the curator works with the artists to develop pieces that respond to each location, considers the broader dialogue between pieces dotted throughout the town.Continue reading “Triennial tripping”
On a recent visit to The Beaney in Canterbury, Kent, I was really happy to discover several excellent examples of community art projects. I think it’s great that The Beaney works so actively with a broad range of community groups.
Here’s what I discovered …Continue reading “Community Art at The Beaney”
In 2020 the Turner Contemporary in Margate, Kent hosted a show called ‘We Will Walk – Art and Resistance from the American South’, celebrating and documenting the art of black communities in the 20th century. It was an exhilarating and moving show, with such a rush of humanity and bathed in an art spirit of the highest order. I wrote a little delayed art commentary afterwards but the show felt so profound, in many dimensions, that I struggled to do a full write-up. Here at least are some of my reflections gathered together with some photographs, to document this show.Continue reading “We Will Walk – at Turner Contemporary”