Drawing from other artists’ work – be it casts, statues or paintings – has a long tradition in art education. This article has a great rundown of this vital part of self-education for many artists. Some great historical titbits too – for example when it first opened the Louvre in Paris used to reserve certain days for artists to work from their collection!Continue reading “Just a great article about drawing from the Masters”
Since mid-March 2020, I’ve been seeing a lot more of my own face than normal. Yes, you’ve guessed it, like many other people, I’ve found myself on a merry go-round of video calls as a result of Covid-19. I’ve used video chat to keep in touch with friends and family, to keep working on art projects across borders and most recently to complete an 8-week online art course. And it’s exhausting. I’m no fan of screen-time at the best of times – yes, I’m one of those strange refuseniks who still doesn’t use Netflix! But beyond the eye-strain and tense undertone of blue screen light, I realised there was something particularly emotionally exhausting about the new prevalence of videochat. And mostly that was my face …Continue reading “On Face as Mask and Self-Portraits”
In late April 2019 I started a group called the Art Play Group, based here in Valencia. I’ve now hosted 12 events for the group with over 80 people attending. So it feels like a write-up on my blog is due! Continue reading “The Art Play Group – What? Why? How?”
This is possibly going to be quite a long blog post! I’m going to do a recap of my last 7 weeks of drawing. As ever, in chronological order, unedited – the good, the bad and the ugly.
I like posting in this way, as I think it gives an honest, unbiased view of how my work is developing. Continue reading “Keeping on Life Drawing”
Like most people, I know Rodin as a sculptor and clearly a master of the human form. Unsurprisingly he did a lot of drawing from life. I was thrilled to see this show, particularly given how much life drawing I’ve been doing recently!
The most amazing thing about the show was the revelation that Rodin was utterly obsessed with making his figures stand out, even when working in 2D. Continue reading “Rodin – Drawing & Cut-outs”
I have been thinking about how and what to share from the life drawing I’ve been doing over the last few months. I could select a handful of my most successful drawings, which would perhaps be more flattering to my ego and shelter my nascent artist a little more. But for reasons I can’t exactly fathom, I feel compelled to share my life drawing progress in all it’s stumbling glory.
So here goes, in date order, with a little commentary along the way. Continue reading “Autumn 2018 – Life Studies”
In my first couple of weeks in the studio, I’ve tried to go back to first principles and just focus on drawing. I have been reacquainting myself with properly looking at things – observing, seeing space and shape and form. To help with this, I’ve been following the exercises in Betty Edwards’ book, ‘Drawing on the Right Side of the Brain’, a well known book in art education.
The leftside of our brain tends to be dominant, responsible for language, analysis, numbers and logic. Continue reading “New lines”